Julie Merriman: Revisions - Hugh Lane Gallery

Julie Merriman’s practice is centred on the language of drawing and how it is used to visually describe structure, place, concept and theory. Working from archival material she explores the various conventions of drawing used in construction and design. Merriman investigates how drawing is employed in these contexts as a technology to impart specific information in subjects such as architecture, engineering, science, cartography and mathematics. She is interested in the methodologies and conventions of these drafting professions, but through her creative process the artist reveals the hidden potential of a different aesthetic contained within the drawings.

Revisions is the culmination of a year-long engagement within Dublin City Council departments, meeting with staff in Housing, Architects and Engineering who draw or read drawings as part of their everyday work. Merriman looked at project drawings and had conversations with staff around the role of drawing within the City Council, and how the drawings, old and new, are used, handled and stored. The impact of computer aided design programmes, which rendered manual and older mechanical drawing methods obsolete, was also considered and evaluated.

After viewing the archives in both Engineering and Housing Maintenance, she began working with typewriter carbon film, discovering that it is a medium that creates a ‘slippage’ in the drawing information. Pinned to a paper or canvas surface and drawn upon, these 16mm wide lengths of carbon film exert a controlling force on the drawing process. Under these restrictions the artist allows the artwork to emerge. Merriman is interested in the constraints and frustrations involved in setting up a procedure to produce a drawing that inevitably goes awry. There is an uncertainty to the outcome in the drawing process but also expectation and surprise when the carbon film strips are removed and the finished drawing contains unexpected marks and nuances that transfigure its original function. The visual language of the engineer and architect is still present but its functionality has been disrupted and the potential now exists for new perspectives to emerge.

A fully illustrated publication with essays by Stephanie Straine and Marianne O’Kane Boal is available in the gallery bookshop from 11 February.

Revisions is curated by Ruairí Ó Cuív, Public Art Manager with Dublin City Council. The exhibition is part of Interaction with the City, the second strand of the Dublin City Public Art Programme, and is funded from the Per Cent for Art Scheme through the Department of the Environment, Community and Local Government.

Watch an interview with Julie Merriman on Culturefox.tv

Listen to an interview with Julie Merriman on RTE Lyric FM’s CultureFile

Profile

Julie Merriman lives and works in Dublin. Her practice is centered in the history and meaning of visual marks, in the lexis used to visually describe structure, place, concept and theory. Working from archival materials she researches histories, and through conversational exchange explores the conventions of various drawing languages. Her investigations are positioned in the historic and contemporary aspects of areas such as; architecture, engineering, science, cartography and mathematics and in how drawing works in these contexts as a technology to impart specific information. However the focus of her work is on the changes that are perceived when her creative process interrupts the functionality of these visual languages, and in the potentials of new readings to emerge.

Process is central to this work which in turn is an open-ended enquiry. The works are made by filtering arrangements of marks through carbon paper or typewriter carbon film onto a drawing support. She is interested in the physicality and materiality of this process, in its capabilities and limitations and in the slippages that can occur. There is an uncertainty to the outcome, but also an expectation and this is where she is interested in positioning her drawing practice.
Related Material

Julie Merriman Exhibition Guide